April 2015
Everybody else's idea of her is all we see. Her face and identity are covered by required cloth a...
April 2015
As a student at the University of Virginia in the mid-1990s, I once took a class with Farzaneh Milani, a Persian studies scholar, on women’s fiction in the modern Middle East. Milani was a theatrical teacher. Once a semester, she would breeze into class wearing full chador—not her usual style—for the explicit purpose of shocking her students into a frank and open debate about politics, religion, rebellion, revolution, the body, and the veil. It was a stunt I never saw, but she told the story well, and the complexity of what she wanted us to address—of what she wanted us to untangle in ourselves and in heated discussion with one another—established the groundwork for much of the looking and thinking I have been doing ever since.
It was around that time that I began writing about art. I would drive to New York (eventually I moved there) and…
Everybody else's idea of her is all we see. Her face and identity are covered by required cloth a...
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Jude Vachon
Just now ·
Shirin Neshat had a film installation in the Carnegie In...
In Neshat’s films and photos, she often places the viewer inside some kind of ritual behavior or ...